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  <a href="/news/blog/7163753/tiens-une-vieille-chronique">Tiens une vieille chronique ...</a>&nbsp;
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  <div class="message"><p><span style="color:#ffffff;">Trouvée en surfant :</span></p><p><span style="color:#ffffff;">Publiée en 2010 sur </span><a class="no-pjax" href="https://www.concertandco.com/critique-album/ben-popp/empreintes-digitales/10221.htm"><span style="color:#ffffff;">https://www.concertandco.com/critique-album/ben-popp/empreintes-digitales/10221.htm</span></a></p><p><span style="color:rgb(0,0,0);"><img src="//images.zoogletools.com/s:bzglfiles/u/397706/363d7172bd04548def0645611f7993b71eb8d78c/original/concertand-co.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><span style="color:#ffffff;">La variété s'est souillée elle-même à force de chanteurs pour minettes aux mélodies niaises. Les Frédéric François et autres Didier Barbelivien ne lui ont pas écrit que des lettres de noblesse, loin s'en faut. Alors, on recouvre parfois d'un voile pudique appelé " chanson française " la chanson dans la langue de Molière on en appelle aux incunables Ferré ou Barbara pour définir un idiome référent. Les petits jeunes ne s'y trompent pas : ils chantent majoritairement en anglais.</span></p><p><br><span style="color:#ffffff;">C'est aussi vers son héritage anglo-saxon que s'est tourné <strong>Ben Popp</strong> au moment d'écrire son album <i>Empreintes Digitales</i>, un peu comme un rêve américain, chanté en français. Car de l'Amérique, il en est question au détour de chacune des quatorze de ses chansons. La country, la folk, le groove, le rock'n roll, le jazz, la soul qui nous cueillent sur ce disque viennent de là et certainement pas de la variété dont on parlait plus haut.</span><br><span style="color:#ffffff;">Il y a sur ce disque une manière très rock'n roll de faire, même avec le reggae, et une simplicité évidente dans l'écriture qui la rend facilement accessible. <strong>Ben Popp</strong> a une voix originale qu'on aimera ou qu'on n'aimera pas, suave, très douce avec une pointe de voix éraillée qui ne demande qu'à se voiler.</span></p><p><br><span style="color:#ffffff;">Le dernier point pas encore abordé dans cette mini analyse restent les textes, en français. Ils sont très bien tournés avec une certaine maîtrise de l'écriture. Il y aborde des thèmes de société (la position du Pape sur le préservatif, l'après guerre en Irak, la culpabilisation des fumeurs) ou liés à l'individu (l'insomnie, le syndrome de Stockholm, la solitude, les difficultés du couple) avec une fin ironique qui se moque des " chanteurs à textes " qui se posent en haut parleurs de la société. <i>Empreintes Digitales</i> est un disque riche, d'une grande variété, au sens de diversité.</span><br><br><span style="color:#ffffff;">2010 - Popp Ricordz</span></p></div>
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  <a href="/news/blog/7157643/spotify-or-no-spotify">Spotify or no Spotify ?</a>&nbsp;
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  <div class="message"><img src="//images.zoogletools.com/s:bzglfiles/u/397706/260ae537d6ce6acc626437330eb969050cbe1b16/original/spotify-copie700.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p align="left"><br> </p><p align="left">Je dis Spotify mais je pourrais dire Deezer ou Youtubemusic. J’ai fait l’expérience d’écouter mon dernier album sur Spotify et ai eu le désagrément d’avoir un mixage changé. Ils compressent et retouchent pour niveler tout et au résultat la profondeur est changée. Vu le temps que j’ai passé à mixer ce disque, c’est rageant de ne plus entendre les chœurs, surtout ceux de « Mon amour propre ». Parfois un instrument qui avait sa place bien définie vous saute aux oreilles. Certains sont remontés, d’autres noyés. Déjà, ça montre le respect qu’ils témoignent aux artistes qui ne sont que de la pâte sonore à déverser dans leurs tuyaux. Imagine-t-on le Louvre mettre un peu de polish à Mona Lisa pour qu’elle ressorte mieux (ou de façon égale) dans son environnement ?</p><p align="left"><br> </p><p align="left">Ajoutée à ça la micro rémunération dont ils vous font l’aumône ! Ce modèle économique nourrit un monstre (des monstres) sur le dos des créateurs.</p><p align="left">Écologiquement, c’est une aberration. Quelqu’un qui écoute, disons dix fois ma chanson en ligne, consomme 10 fois plus de bande passante que s’il avait acquis un mp3 du même titre, rapatrié chez lui et écouté 10 fois. Et la rémunération aurait été ô combien plus équitable. 500 fois plus équitable.</p><p align="left"><br> </p><p align="left">Alors, la question est : doit-on y être quand toute la musique passe par là, déversée à foison pour un abonnement ridicule qui ne rémunère pas les artistes mais entretient un système qui paupérise le créateur et le place en situation précaire ?</p><p align="left">A-t-on besoin d’avoir accès à tout ? Ne vaudrait-il pas mieux faire un choix ? Et oui, choisir c’est renoncer !</p><p align="left">Ça fait des années que je me pose la question. Je pense que je vais à l’avenir ne plus déverser chez Spotify et ses acolytes que quelques titres par ci par là. Pour écouter le reste, il faudra acheter un mp3 ou, mieux en ce qui concerne sa rémunération, un CD. Ne dit-on pas que tout travail mérite un salaire ? Pas des miettes !</p><p align="left"><br> </p><p align="left">Ah, j’oubliais. Lors de l’écoute de mon disque, l’algorithme de Spotify passe du coq à l’âne et propose sans cesse autre chose, d’autres artistes. Les gens ne savent plus ce qu’ils écoutent. C’est Spotify qui décide. Allez vous faire une culture autre que la culture du zapping avec un tel système !</p><p align="left"><br> </p><p align="left">Allez hop, vous pouvez commenter ce billet, si l’envie vous vient !</p></div>
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    <p class="post-info"><span data-time="2023-02-20T20:09:10-12:00" title="lundi 20 février 2023 20h09">20/02/2023</span></p>

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  <a href="/news/blog/7153497/eleni-mandell-interviewee-par-ben-popp-en-2004">Eleni Mandell interviewée par Ben Popp en 2004</a>&nbsp;
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  <div class="message"><p>English version below<span style="color:#000000;"><img src="//images.zoogletools.com/s:bzglfiles/u/397706/623f49882db9e877a69d28cb34ad0482595ddc59/original/mandell.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><span style="color:#ffffff;"><strong>Le choc musical qui vous a poussée à faire de la musique est, d'après ce que j'ai lu, X. Qu'avait ce groupe de spécial ?</strong></span></p><p><span style="color:#ffffff;">X était un groupe punk de Los Angeles. Quand j'avais 13 ans, la soeur ainée de mon amie les écoutait, aussi avons-nous commencé à écouter ses disques. C'était un mélange étrange de mélodies, de dissonance, de rockabilly, de punk rock, de country, avec de grands textes et l'étrange mélange des harmonies de John et d'Exene, sa voix à lui était magnifique, sa voix à elle ne l'était pas. Je n'avais jamais écouté quelque chose de tel auparavant. Je ne sais pas pourquoi j'étais attirée par leur musique mais je l'aime toujours. Pour moi, ça avait un sens.</span></p><p><span style="color:#ffffff;"><strong>Vos trois premiers albums, allaient-ils dans la même direction ou aviez-vous essayé de faire de chacun un disque à part ?</strong></span></p><p><span style="color:#ffffff;">Mon premier disque était différent des autres parce que c'était la première fois que je faisais un disque. Jon Brion le produisait et il a des idées différentes des miennes. Moi j'aurais enregistré une chanson à la guitare et Jon aurait ajouté un million d'instruments différents. J'ai décidé que j'aime le son d'un vrai groupe aussi, maintenant nous enregistrons tous ensemble. Ainsi, je pense que mes 2ème, 3ème , 4ème et 5ème albums ("Afternoon " n'est pas encore sorti ) ont tous le son d'un groupe qui joue en direct. Ils sont plus organiques. De "Wishbone", mon premier album, il y a des tas de choses que j'aime encore, et j'en joue toujours les chansons sur scène.</span></p><p><span style="color:#ffffff;"><strong>Sur " Country for lovers " vous jouez certains classiques de la country. Pourquoi cette relecture ?</strong></span></p><p><span style="color:#ffffff;">La plupart des chansons du disque country, je les ai écrites. J'aime la vieille country music et j'ai pensé que ce serait amusant d'essayer d'écrire mes propres chansons.J'aime aussi les chansons que j'ai reprises et j'étais assez excitée . C'était comme dans un rêve...un grand moment de plaisir.</span></p><p><span style="color:#ffffff;"><strong>Etes-vous toujours sans maison de disque ?</strong></span></p><p><span style="color:#ffffff;">Pratiquement. Il y a des labels indépendants qui sortent mes disques au Canada, en France ou en Allemagne. J'ai un contrat avec un label canadien Zedtone, sans lequel je ne pourrais plus faire de disque. Ils ont été incroyablement généreux et m'ont permis de tourner et d'enregistrer.</span></p><p><span style="color:#ffffff;"><strong>Souhaiteriez-vous rester indépendante ou seriez-vous prête à signer sur une major compagnie ?</strong></span></p><p><span style="color:#ffffff;">Je souhaiterais faire pour le mieux. Si je peux continuer d'en vivre ( bien que j'aimerais en vivre mieux un jour ), continuer à enregistrer et tourner comme maintenant, je ne me plaindrais pas. Si un label venait me rendre cela possible, plus facile, et me rendais un peu plus riche , et bien...ça serait sympa.</span></p><p><span style="color:#ffffff;"><strong>Vous venez de terminer votre 5ème Lp Afternoon. Que pouvez-vous en dire ? Quelle est sa couleur ?</strong></span></p><p><span style="color:#ffffff;">Je pense que c'est un de mes meilleurs disques. Sur le plan du style, il est similaire aux trois premiers. Il est très simple. Les chansons sont très bonnes. On l'a enregistré très vite dehors en plein désert et je suppose que certaines de ces vibrations sont dans la musique; le bon air, les étoiles, l'insécurité, les cactus, les mules. Je l'aime beaucoup et je l'écoute beaucoup moi même. D'habitude , une fois terminés, je n'écoute plus mes disques mais celui-ci...je pense qu'il est vraiment bon. On a vraiment pris du bon temps à l'enregistrer et on est impatients de partir en tournée et de jouer ces chansons live. Depuis que j'ai vu jouer X, j'ai toujours voulu être dans un groupe et là j'ai jamais été aussi prêt du but.</span></p><p><span style="color:#ffffff;"><strong>Vous travaillez à un EP de Jazz. Le fait de jongler avec les styles est-il pour vous un moyen de vous renouveler ?</strong></span></p><p><span style="color:#ffffff;">J'ai tellement d'influences différentes qui s'entendent sur chaque disque, même sur le disque country. J'ai commencé par chanter en public "Detour ahead" un vieux standard de jazz et tout le monde m'a demandé si on pouvait l'acheter. On s'est décidés finalement à l'enregistrer et on s'est figurés que ça serait cool de faire d'autres chansons. ce fut un grand moment.</span></p><p><span style="color:#ffffff;"><strong>Est-ce qu'Internet aide à votre promotion ?</strong></span></p><p><span style="color:#ffffff;">Je n'existerais probablement pas sans Internet. Ça aide les gens à me trouver ou à entendre parler de moi.</span></p><p><span style="color:#ffffff;"><strong>Comment voyez-vous l'avenir commercial de la musique ?</strong></span></p><p><span style="color:#ffffff;">Je n'ai jamais été concernée par la musique commerciale, je n'ai non plus pas prêté attention aux changements technologiques. Grâce à Dieu, mon père est plus dans tout ce qui est nouveau aussi suis-je obligée d'y faire attention. Je ne sais rien du futur de la musique...je pense que les gens aiment toujours voir un groupe jouer sur de vrais instruments et c'est de cela qu'il est question.</span></p><p><span style="color:#ffffff;"><strong>Votre tournée passe par l'Europe. Dans quels pays allez-vous jouer ?</strong></span></p><p><span style="color:#ffffff;">En Allemagne, Autriche, Suisse, Belgique, France et partout où je serai invitée.</span></p><p> </p><p><span style="color:#ffffff;">---------------------------------------------------------------------------------------------------------------------------------------------------------------------</span></p><p><span style="color:#ffffff;"><strong>The musical shock which urged to you to make some music is, as I read, X.What had this group of special ?</strong></span></p><p><span style="color:#ffffff;">X was a punk band from Los Angeles. When I was 13 my friend's older sister was into them so we started listening to her records. It was a strange mix of melody, dissonance, rockabilly, punk rock, country, great lyrics and John and Exene's strange mix of harmonies; his voice is beautiful, her voice is not. I'd never heard anything like it before. I don't know why I was attracted to their music but I still love it today. It just made sense to me.</span></p><p><span style="color:#ffffff;"><strong>Did your first three albums go to the same direction or did you want to make of each a disc for part ?</strong></span></p><p><span style="color:#ffffff;">My first record is different from the others because it was my first time making a record. Jon Brion was producing and he has different ideas then I do. I would record a song on the guitar and then Jon would add a million different instruments. I decided that I like the sound of a real band so now we all record at the same time. So I think that my 2, 3, 4 and 5 (not out yet, Afternoon) all have a live band sound. They are more organic. I still love a lot of things from Wishbone, my first, and still play many of those songs live.</span></p><p><span style="color:#ffffff;"><strong>On " Country for lovers " you play classics of the country music. Why this second reading ?</strong></span></p><p><span style="color:#ffffff;">Most of the songs on the country record are songs that I wrote. I love old country music and thought it would be fun to try and write my own songs. I also love the songs I covered and was excited to get to sing them. It was like a dream...great fun.</span></p><p><span style="color:#ffffff;"><strong>Are you still an unsigned artist ?</strong></span></p><p><span style="color:#ffffff;">Basically. I have independent labels putting out my records in Canada, France, and Germany. I have an agreement with the Canadian label, Zedtone, without whom I would not still be making records. They have been incredibly generous and allowed me to tour and record.</span></p><p><span style="color:#ffffff;"><strong>Do you wish to remain independent or are you ready to sign with major companies ?</strong></span></p><p><span style="color:#ffffff;">I wish to do whatever is best. If I can keep making a living (though I'd like to make more someday), record, and tour this way then I can't complain! If a label came along and made that all possible and easier and made me richer...well, that would be lovely.</span></p><p><span style="color:#ffffff;"><strong>You have finished your 5th Lp Afternoon. What would you like to say about it ? What is its color ?</strong></span></p><p><span style="color:#ffffff;">I think it's one of my best records. Stylistically it's similar to the first 3 records and it's very simple. The songs are really good. We recorded it very quickly out in the desert and I suppose some of those vibes leak into the music; clean air, stars, quail, Joshua Trees, mules. I really love it and am still listening to it myself. I usually stop listening to my records once they're finished but this one...well, I think it's really good. We had a great time making it and we can't wait to tour so we can play the songs live. I always wanted to be in a band, since I saw X play, and this is the closest I've ever gotten.</span></p><p><span style="color:#ffffff;"><strong>You are working on a jazz EP. Is the fact to juggle with the genres a means to renew you ?</strong></span></p><p><span style="color:#ffffff;">I have so many influences and you can hear them all in every record. Even the country record. I started singing an old jazz song, Detour Ahead, live and everyone asked if they could buy it. We finally decided to record it and figured it would be fun to do a few more songs, too. It was a great time.</span></p><p><span style="color:#ffffff;"><strong>Does internet help in your promotion?</strong></span></p><p><span style="color:#ffffff;">I probably wouldn't exist without the internet. It helps people find me and hear about me.</span></p><p><span style="color:#ffffff;"><strong>How do you see the commercial future of the music ?</strong></span></p><p><span style="color:#ffffff;">I've never been concerned with commercial music nor have I ever paid much attention to the changing technology. Thank god my father is very much into everything that's new so I am forced to pay attention. I don't know about the future of music...I think people still really love seeing a band play real instruments and that's what it's all about.</span></p><p><span style="color:#ffffff;"><strong>Your tour passes by Europe. In what countries are we going to be able to see you ?</strong></span></p><p><span style="color:#ffffff;">I will have tour dates in Germany, Austria, Switzerland, Belgium, France. And wherever else I get invited!</span></p><p> </p></div>
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  <div class="message"><p>En préparant des enveloppes pour la promotion de mon nouvel album, je me suis souvenu avoir envoyé un CDR vierge à un journaliste de Libération en 2006, lequel s’en était étonné. Alors il a vaguement jeté un œil ou une oreille à ce qu’il trouvait en ligne. Il n’a pas été plus intéressé que ça et n’a pas donné suite. Ça s’appelle faire de la promo efficacement.<img src="//images.zoogletools.com/u/397706/f1c941b8af7a14c02a27a50905a3d94800d54216/original/promo-copie-74-200pix.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" /></p></div>
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<p>It's my birthday ? C'est une chanson que j'ai écrite le 3 janvier 2007 pour remercier tous les gens qui me souhaitaient mon anniversaire sur ma page Myspace, à l'époque où Myspace était le réseau social. C'est d'abord paru sur le projet un peu fou de sortir chaque mois de 2007 un EP quatre titres dont le nom serait le mois correspondant dans une langue différente. Une illustratrice de talent (Véronique Grausseau) devait signer chaque visuel. Un désaccord nous a plombé l'ambiance dès "Fait vriller", qui dérogeait aussi dès le deuxième mois aux préceptes de base du projet. 10 EP sont sortis avec des photos au lieu de ses magnifiques dessins. Ainsi, on trouvait "it's my birthday" sur Yanvar qui s'ouvrait sur le titre "Happy new year" (comme c'est étrange ! ). Il vous est livré là dans sa version de 2012 extraite de l'album "Demain est une fête" avec Pierre Walther à la guitare acoustique et Christian Pruneau à la guitare électrique, qui sont deux musiciens lyonnais qui m'accompagnaient alors sur scène.</p>
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    <p class="post-info"><span data-time="2017-01-02T12:00:00-12:00" title="lundi 02 janvier 2017 12h00">02/01/2017</span></p>

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  <a href="/news/blog/6138233/richard-lloyd-interview">Richard Lloyd interview</a>&nbsp;
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  <div class="message"><p><img src="//images.zoogletools.com/s:bzglfiles/u/397706/9acf7018dc1bd66ee289e7ce13222491b6490cc2/original/lloyd.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><strong>I saw that you produce educational videos. Is it important to pass on your knowledge? </strong><br><br>"The educational videos are actually connected to columns I do for a magazine called "Guitar World". I do feel a debt from those who taught me, and also from my own deep studies of music and of the instrument which is a guitar, that I need to mentor younger guitarists as best I can. Anyone can put out a shingle announcing themselves as a guitar teacher, but they rarely have a deep understanding of musical law or of the architecture of the musical instrument that they profess to teach, in this case, the guitar, which is an extraordinarily profound instrument, and deeply connected to the deepest laws of music. I feel too many guitarists are self-centered and juvenile in their approach, so in my own curriculum it doesn't matter how good a guitarist I am, only what I am able to impart that may help others to move towards mastery of their instrument and a spiritual understanding of the laws of music. It's a bit like the medieval guilds, which hardly exist anymore. I feel a responsibility to pass on what understanding I have built up, and of course, I better do it before this body expires, because nobody lasts forever. </p><p><br> </p><p><strong>How would you define the Richard Lloyd style? </strong><br><br>"When I was younger, along with my teenage best friend Velvert Turner, who was a direct protÃ©gÃ© and student of Jimi Hendrix, from whom I learned a great deal -- also having met many of the great classical rock guitarists of the late 60s. As well as Jimi Hendrix, whose influence I always hid, I learned a great deal of the stylings of Jimmy Page, not the Led Zeppelin songs, but the way he practiced and the disciplines that he used, through his longtime guitar technician. But I always avoided learning the "great new solos" that my friends could learn off of records, because I wanted to develop my own style -- which is a classic rock lead guitar style with a great deal of melodic content as well as strong angular turns and phrasings. So my style is quite my own. It's probably the reason that I don't get hired as a session guitarist so much, because my personal style is so strong, and session players, although they can be very good, do not steal the stage from the singer. That's why certain session men and upon thousands of records -- they are like human jukeboxes, but they don't stick out with a strong personal style. For better or worse, I do have a very strong personal style, and when I am asked if I play the guitar I often say no, that I play the electricity, and the guitar is the instrument that plays me, not the other way around. </p><p><br> </p><p><strong>Where does your style come from, which musicians have inspired you? </strong><br><br>"As I said, my best friend Velvert and I studied under Jimi Hendrix, but I always mentioned Jeff Beck and Buddy Guy as the three guitarists I would probably mention -- but there's so many more. My musical tastes were very eclectic, and after the English invasion I spent a long time listening to blues and jazz and classical music as well. I think I am also influenced by Indian music and Ravi Shankar-- even though he plays a sitar, I consider him one of the world's great guitarists, and I used to know many of his ragas by heart. Mike Bloomfield, Albert King, Freddie King, Albert Collins, Magic Sam, John Lee Hooker, the list goes on and on. Then there are jazz guitarists I love, like Django Reinhard, Wes Montgomery, John McLachlan with Miles Davis, and I actually was influenced by a flute player named Charles Lloyd, whose records I loved. I listen to such a wide band of musical styles -- anything with a lead guitar solo on I would wear the grooves out on, but I also love the Rolling Stones, and one of the first records I ever bought was 12 X 5, and I've probably listened to 2120 S. Michigan Ave, which is an instrumental with harmonica thousands of times, as well as Sonny Terry and Brownie McGhee, Little Walter. Man, if I start listing every piece of music that influenced me it would fill your whole magazine. </p><p><br> </p><p><strong>You are especially well known in France for having been part of the group Television. Do you feel that this limits you? </strong><br><br>"Having been a founding member of Television and being part of that era is something I can never feel limited by -- it was the absolute coming true of my dream and felt like I had run away and joined the Circus. We had so much fun and the music was so profound that we have achieved something very few people do -- and irrevocable and permanent place in the history of rock 'n roll. What most people don't know is that I found Tom -- he did not find me, and I was the one who suggested to my friend Terry Ork that he put us together, because I saw that Tom had something but was also missing something, and what he was missing, I had. I knew I had a strong talent and that I would become a legendary guitarist -- that seemed to be my fate or destiny, but at the time I also recognized that I was missing something, and that Tom had it, so the mixture was a very powerful one. And let's not forget that in addition to founding Television, we created CBGBs, which is now the most famous rock club in all of rock 'n roll history -- certainly more famous now than the whiskey a go-go or the cavern club or the marquee club or the Star club. And if we hadn't driven it</p><p>in the direction we wanted to go, they would still be playing what the initials stood for -- country, bluegrass and blues. And the owner, well, we just took over, and Television was the house band -- we were in charge, and Tom never went there except when we had a show, but I was there almost every night, and since Hilly didn't know anything about rock music, Terry Ork basically booked the club for the first three years, and he would rely on my advice as to which bands would be allowed to play more than once. So even though I am not acknowledged personally, I don't really care, because I know how I acted as a catalyst for that entire scene. </p><p><br> </p><p><strong>Television recorded an album when the band got back together. Do you think that this is something that could happen again? </strong><br><br>"Never -- I have left the band permanently, and although our contract allows for any three original members to continue, if they try to form a Television without me, all I can do is wish them good luck. But I will never play with Tom again, because my assessment of him is that he does not deserve my loyalty -- if he had been more willing to work, Television would have been much more successful, but Tom is a stubborn and selfish man, who thinks of no one but himself, and who really does not like to do any work -- the complete opposite of how I feel. I love to play and to go on tour, but Tom only does it for the money, and he suffers from something -- I can only call it "universal and global contempt for everything and everyone except himself. I remained loyal for the other members of the band for 34 years, always putting aside my own projects if Television was going to do something. But 14 years went by, and we continued to perform 15 to 25 shows a year, but Tom refused to record anything, and my sense is that he subconsciously has an enormous fear of success, so he sabotages himself and everyone around him with his selfishness. <br><br> </p><p><strong>Is your tribute album to Jimi Hendrix still in your plans? </strong><br><br>"It is not a tribute album, but the payment of a debt, and it is dedicated to the very close friendship between Velvert Turner and myself and Jimi. The record has been finished for quite a while -- I will be selling copies when I go on tour this month in America, but the official release date is September 1. It is called "The Jamie Neverts Story", and contains 10 Hendrix songs, performed by myself, Chris Purdy on drums and Keith Hartel on bass. I only did songs that Jimi liked during his whole career -- he had learned to hate songs like "Foxy Lady", because he felt that those kinds of songs where he had to play guitar with his teeth and make sexual innuendos onstage turned him into a kind of circus clown. I also do not do any of the songs that have been covered too many times, the so-called "guitar hero songs" like "Voodoo Child, slight return", and I don't do "Little Wing" even though everybody and their mother wanted to hear my version of it, because it has been over done -- Eric Clapton and Stevie Ray Vaughan's versions of that song make me want to puke. I only did songs from the first two records with the intention of paying my debt to Jimi and to Velvert -- which were the songs that Chas Chandler had a great deal to do with, shortening the songs which only increased their power. I also used no effects on the guitars -- no fuzz box, no Octavia, no wa-wa pedal, nothing backwards, no feedback (although there are sounds on the record that you might think are feed back), because when Jimi use those effects they were fresh and new, but now any clown with a dollar can go buy a Jimi Hendrix package which is guaranteed to make you sound like you want to sound like Jimi Hendrix, but of course you can't sound like him, because you didn't know him and you didn't know either his strength or his shyness and compassion. I did. </p><p><br> </p><p><strong>"Monkey" or " Swipe it" on your last album to date are very close to the energy that could be found on the New York scene at the end of the seventies. Is this notion of rage and energy intrinsically yours? </strong><br><br>"Yes, that energy is intrinsically mine -- psychologically I am a wounded child who developed defense mechanisms that included a towering intellect surrounding a coil of rage -- so my mishandling of the guitar, which is a relationship, is completely true and honest. I still feel like a 14-year-old who jumps up and down on the bed because he finds he has more energy than can possibly be contained inside of the body. Luckily, this intensity has found a beneficial outlet. I think that the true rock 'n roll musician must be like a shaman or medicine man -- he must break the social barriers and constraints that the ordinary man can't. He has to wear a suit and tie on Monday morning. I don't. So when you buy a ticket to see me perform, my function is to cross the boundaries of the possible, and search for the impossible and show it to you. This provides a cathartic release for the audience, like Jim Morrison exposing himself, or Iggy Pop rolling around in broken glass. Social man cannot do these things, so he needs something like priests who can walk up to the devil without fear, because their souls are betrothed elsewhere. The French had a wonderful group of poets who advocated this same catharsis -- Baudelaire, Rimbaud, etc, the idea being antinomian -- that is, salvation through sin and by heading straight towards hell in order to find heaven. I have a great affinity for the French because of this. What most people do not understand for instance, is that the works of the Marquis de Sade were tales of moral integrity in the face of demonic energies -- they were not simply sadistic pornography. Anyone who reads "Justine and Juliet" or "Philosophy of the Bedroom" all the way through -- every word, finds that the Marquis de Sade was actually advocating virtue, and all of the travails were simply tests. Of course the world cannot understand this, and perhaps they shouldn't, but those of us who are called to the performance of rock music must know this, and much more besides. <br><br><a class="no-pjax" href="http://www.richardlloyd.com/">Richardlloyd.com</a> </p></div>
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  <a href="/news/blog/6138234/interview-de-marion-l-interprete-du-clip-de-luna">Interview de Marion, l&#39;interprète du clip de &#39;Luna&#39;</a>&nbsp;
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<p><strong>Comment t'es tu retrouvée dans un clip de Ben Popp ?</strong> <br><br>Plutôt par hasard ! Ben fait partie de mes amis sur myspace, j’ai donc reçu le bulletin où il disait rechercher une jeune femme pour un clip qu’il allait tourner dans le Sud sur une plage ; habitant tout près de Montpellier, je l’ai contacté à tout hasard alors que mes disponiblités étaient plutôt réduites voire inexistantes… mais on s’est arrangés.</p>
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<strong>Y-a-t-il d'autres musiciens que myspace t'a permis de découvrir ?</strong> <br><br>Oui en particulier <a class="liens" href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;friendid=81623669" data-imported="1">Cédric</a>, chanteur-auteur-compositeur montpelliérain, il est super talentueux, je le connais bien maintenant et je suis de près son avancée dans le métier... Puis Laurent Montagne et Hervé Lapalud (par l’intermédiare de Cédric justement), Tom Poisson, Pablo Krantz, Olivier L'Hôte… La liste exhaustive serait bien trop longue ! <br><br><strong>Est-ce qu'une pratique artistique ou comme modèle est quelque chose qui t'attire ?</strong> <br><br>Le domaine artistique m'intéresse beaucoup, à différents égards, mais je n'ai aucun projet. La musique entre autres est très présente dans mon quotidien ; j’ai été musicienne plus jeune, et récemment je me suis acheté une guitare pour (enfin ! ) apprendre à en jouer. <br><br><strong>Comment s'est déroulé le tournage du clip de Luna ?</strong> <br><br>À ma grande surprise, très bien : je suis plutôt réservée de nature et le clip était finalement un “défi“ pour me pousser à oser ; un peu tendue au début et au final un moment très sympa et marrant, je me suis vraiment beaucoup amusée. On a un peu fait au feeling c’était agréable d’avoir cette liberté. <br><br><strong>Quelles étaient tes impressions et avais-tu une idée de ce que ça rendrait à l'écran ?</strong> <br><br>Surtout de la crainte, j'voulais même pas penser au résultat ! En dehors de ça je n'étais pas inquiète car Ben avait déjà des (bonnes) idées de ce qu'il voulait... Par contre je ne savais pas du tout à quoi ressemblerait le clip fini, mais vu le bon moment passé sur le tournage ça ne pouvait pas être mauvais...! <br><br><br><strong>Quelle est ton impression une fois le clip terminé et mis en ligne ?</strong> <br><br>Je suis vraiment très contente du résultat, j'ai été super étonnée de voir ce que Ben a réussi à faire à partir des différents plans tournés... Chapeau ! Au final le clip me plaît beaucoup, j'suis ravie d'y avoir participé. <br><br><a class="liens" href="http://www.myspace.com/marionlavoisine" data-imported="1">La page myspace de Marion</a> <br><br><a class="liens" href="http://www.myspace.com/benjaminpopp" data-imported="1">le myspace de Ben Popp</a>
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    <p class="post-info"><span data-time="2007-09-09T12:00:00-12:00" title="dimanche 09 septembre 2007 12h00">09/09/2007</span></p>

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  <a href="/news/blog/6138235/mon-experience-chez-myspace">Mon expérience chez Myspace</a>&nbsp;
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<p>Je me suis inscrit sur myspace en 2004 sur les conseils d’un ami musicien américain. A l’époque, ce site naissait. C’était juste un autre site de promotion où faire écouter sa musique comme Besonic, Artistlaunch ou tant d’autres. A l’époque je n’avais pas l’adsl et il m’était fastidieux de mettre en ligne mes mp3 avec un vulgaire modem. Ma page myspace était un vrai désert. En mai dernier, j’ai enfin pu m’en occuper. Dans l’intervalle Myspace était devenu le phénomène que nous connaissons.</p>
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<div class="access firstletter">Il est de bon ton d’y avoir une page musique d’autant de la rumeur prétend que des musiciens maintenant reconnus à l’échelle intergalactique y ont été repérés. Well I am dubitatif. Encore un coup du marketing pour acheter à ceux-ci une crédibilité nouveau média – c’est le peuple qui fait les artistes, boom estampillons les 100% découverts chez myspace - quand la street credibility ne fait plus recette, hum ? Je me pose souvent la question au vu de la centaine de millions de comptes myspace ouverts à ce jour. Autant trouver une aiguille dans une meule de foin. Ma foi, je ne sais pas tout, peut-être être-ce possible, si avez vous la réponse, merci de me la donner. <br><br>Quel est mon vécu sur myspace ? Je ne sais pas si vous connaissez le système, je m’en vais vous le décrire brièvement. Vous faites des requêtes auprès de personnes dont vous visitez la page, selon vos motivations, ou vous acceptez celle de quelqu’un qui est venu sur votre page ou a utilisé un logiciel qui automatise le système. N’ayez pas peur, ce n’est pas une amitié à la vie à la mort, vous ne signez pas pour 30 ans de thé parties avec vos amis myspaciens. Non, il suffira que vous ne leur ayez pas envoyé de petit mail pendant quinze jours, que vous n’ayez pas commenté leur photo en petite culotte pour que se brise à jamais cette amitié que vous croyiez éternelle. <br><br>Ba, je reste un fan devant l’éternel, j’ai multiplié les requêtes pour approcher et dire mon admiration à des gens comme Jérome Soligny, fort injustement méconnu pour sa musique, les Remains, les Plimsouls et je vais m’arrêter là tant la liste est longue. Tout le monde a sa page myspace, et le système a de bon qu’il vous met en contact direct avec l’artiste. <br><br>Et puis j’y ai découvert des personnes talentueuses qui dessinent, poétisent, bloguent, photographient, podcastent et bien sûr, font du cinéma, de la vidéo et de la musique. Peut-être est-ce là l’intérêt de myspace. Ouvrons-nous sur d’autres univers, entrons dans un réseau culturel qui nous agrée ou allons nous étonner devant un monde peuplé de rêves ou de chimères dont la page myspace est la porte d’entrée. <br><br>Poussez la porte plus loin, passez dans le réel, j’ai rencontré à partir de myspace des personnes que je considère comme des amis. <br><br>Vous avez aussi les contacts professionnels qui sont non négligeables. De nombreux professionnels des médias ou de la musique y sont, parfois cachés, souvent à l’écoute, très sympas pour la plupart. Mais vous retomberez parfois sur le mépris commun de certains qui projettent sur vous leurs intentions, comme dans la vraie vie d’ailleurs. L’intelligentsia bien pensante et dont le bon goût devrait s’appliquer à tous est aussi sur myspace. Vous la rencontrerez aussi. Vous devrez, si le coeur vous en dit, faire les courbettes qui sont de coutume dans ce milieu là, sous peine d’être zappé. <br><br>Et puis vous avez des collègues musiciens que vous ne connaissez ni des lèvres ni des dents qui viennent retapisser votre belle page de flyers de deux mètres de long. <br><br>Merci pour l’add ou pour l’ajout semble remplacer le sempiternel « ça va ? ». <br><br>Vous pourrez si votre bon coeur vous en dit souhaiter un joyeux anniversaire, Noël, nouvel an, valentine day, halloween aux inscrits de votre mailing list. <br><br>Aux personnes qui s’étonnent de mes requêtes en m’envoyant un mail pour me dire « pourquoi veux-tu être mon ami, hein ? », je réponds que je fais de la musique et sa promotion sur Internet, que je considère aussi cette page comme une grande mailing-list, et que si l’on s’intéresse quelque peu à ma musique, on peut s’y inscrire. Que je poste régulièrement des mp3 gratuits sur ma page et que mon propos n’est pas bassement égotique ni mercantile. <br><br>Je voudrais remercier tous ceux qui m’ont témoigné leur amitié ou intérêt sur myspace, qu’ils soient professionnels (ils ne sont pas obligé d’aimer ce que je fais d’ailleurs, quelques échanges courtois et intéressants ont été faits dans ce sens) ou dans le public potentiel d’un musicien. Merci pour le temps que vous avez consacré à ma modeste Popp musique. Merci à ceux qui sont devenus mes amis,virtuels et c’est pas mal déjà ou en chair et en os., et c’est sûrement mieux. <br><br>Finalement, dites-vous, que myspace, c’est un peu ce que vous en faites. <br><br><a class="liens" href="http://www.myspace.com/benjaminpopp" data-imported="1">Ben Popp chez Myspace</a> <br><br><a class="liens" href="http://www.benpopp.com/" data-imported="1">BenPopp.com</a>
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    <p class="post-info"><span data-time="2007-02-18T12:00:00-12:00" title="dimanche 18 février 2007 12h00">18/02/2007</span></p>

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